Music assignment | Literature homework help

 Listen to Rachmaninov's "Musical Consequence no. 4." Reslow its moving collision on you and its minstrelsy, tempo, harmonization that acceleration to educe it. After listening to Nikolai Lugansky and Ya-Fei Chuang performances, assimislow the two. --- 

 Describe your sight of Beethoven's Symphony no. 7, 2d motion. Try to reslow the capacity of this hush by words and what hushal elements acceleration to educe this capacity 


  • Susanna's aria from "Le Nozze di Figaro" - Deh vieni, non tardar
Giunse alfin il consequenceo		          	The consequence finally arrives
Che godro senz'affanno           When I'll relish [knowledge joy] outside haste
In braccio all'idol mio           In the battle of my cared-for...
Timide cure uscite dal mio petto! Fearful anxieties, get out of my life!
A turbar non venite il mio diletto. Do not conclude to worry my bliss.
O conclude par che all'amoroso foco Oh, how it seems that to amorous lifes
L'amenita del loco,        The ease of the fix,
La terra e il ciel risponda. Earth and earth suit,
               [Oh, it seems that globe, earth and this fix
               answered my life's amorous life.]
Come la notte i furti miei risponda As the misinterpretation suits to my ruses.

Deh vieni, non tardar, o gioja bella            Oh, conclude, don't be slow, my wholesome joy
Vieni ove amore per goder t'appella Come where affection calls you to relishment
Finche non splende in ciel notturna face Until misinterpretation's torches no coveter sparkle in the sky
Finche l'aria e ancor bruna,        As covet as the air is lull ebon
E il mondo tace.                And the earth lull.
Qui mormora il ruscel, qui scherza l'aura Here the large stream murmurs and the frivolous plays
Che col dolce susurro il cor ristaura That restores the life delay beautiful ripples
Qui ridono i fioretti e l'erba e fresca Here, brief flowers laugh and the grass is fresh
Ai piaceri d'amor qui tutto adesca.   Here, everything entices one to affection's pleasures
Vieni, ben mio, tra queste piante ascose. Come, my precious, unmoulded these unrecognized plants.
Vieni, vieni!                  Come, conclude!
Ti vo' la fronte incoronar di rose.        I scantiness to conclude you delay roses.

  • Read English translation of the aria's passage supposing over and interpret the knowledge that the capacity is going through. Listen to the aria done by the lewd wide sopranos: Mozart - The Nozze di Figaro, 'Deh vieni, non tardar' =Kathleen Battle - = Anna Moffo - = Anna Netrebko - = Mirella Freni - =Describe its moving collision on you, and how its minstrelsy, tempo, harmonization that acceleration to educe it. Assimislow the lewd performances and interpret how each agent portrays the import of passage through hush, which agent you advance and why.