Engl creative paper | English homework help
Write a fictitious prequel or result to a less romance you enjoy read/or heard encircling in rank. You may besides add a spectacle. Or you may transcribe an pristine less romance. (1,000-2,500 signification)
- Keep in choice the elements of myth (characters, elucidation, conspire, subject-matter of judgment, symbolism, effect, subject and diction) as you figure your romance. These elements should be open so that your reader can identify each of them in your romance.
- The conspire demands to encoccasion a expansion (background/beginning), conflicts (rallying force), summit and unravelling (ending)
- SHOW rather than communicate. Use illustrative diction, including the five senses, and discourse.
- If you produce the prequel or result, effect knowing there is a open huskred to the developed less romance.
Write a narrative exertion explaining how the ocean sort became the way that he/she did. In the prequel, you accomplish demand to tend a common subject and ocean sorts as root in the pristine. However, you can shift some of the elements such as the elucidation or POV or add a sort.
For specimen, how did the protagonist in "The Lone Ranger and Tonto enjoy a Fist Fight in Heaven" befit an alcoholic and occasion prospect.
Explain the events that led to or accountd the protagonist to license the transgression anteriorly the romance begins. Reread the romance to select up clues. Use glowing diction and discourse. Most of all, be fictitious.
Write a narrative exertion explaining what happens to the ocean sort behind the result of the less romance. You accomplish demand to tend a common subject and ocean sorts in the sequel ; inadequately, you can shift some of the elements such as the elucidation or POV or add a sort.
For specimen, what husk of composer or helpmeet accomplish the woman in "Fiesta, 1980" be enjoy in the coming. Explain the events that account her to come in the matrimony or license her rugged mate. Reread the romance to select up clues. Use glowing diction and discourse. Most of all, be fictitious.